pages 17-18 wrote:In the fifteenth century, when a few philosophers began to wonder about the mysteries left by the ancient peoples in the Nile valley, the idea arose that the pictures on Egyptian tombs were the purest form of communication. It was an odd notion, given that no one had a clue what they meant, but it was based on what classical authors had written centuries before and had the smack of authority. So it was assumed that Nature herself had been captured in mystic code, and would address the elevated soul in her own pure tones, without the necessity for a base script, which like language, reflected the confusion imposed by God on mankind by the destruction of the tower of Babel. There were, of course, those who claimed to be on suitably intimate terms with Nature. A sixteenth-century Jesuit antiquarian, Athanasius Kircher, set about interpreting hieroglyphic, starting with an obelisk now standing in Rome's Piazza Minerva. One little sequence of signs merely records the name of a sixth-century BC ruler: "King Apries". This is Kircher's confident interpretation: "The protection of Osiris against the violence of Typho must be elicited according to the proper rites and ceremonies by sacrifices and by appeal to the tutelary Genii of the triple world, in order to ensure the enjoyment of the prosperity customarily given by the Nile against the violence of the enemy Typho".
Does this sound as eerily familiar to anyone else as it did to me?