wenglund wrote:Again, you fail....to understand. The nuance is in the subtle difference in meanings between the words "think" and "cogitate."
Thanks, -Wade Englund-
I understand the difference, subtle or otherwise. I don't have a problem with such usage, though I prefer it to be used sparingly. When one is constantly going for erudition or nuance by throwing in extraneous or high-falutin words, it tends to get old quickly and makes the writing look amateurish.
I ran across a good example of using rough synonyms in sequence effectively in today's New York Times:
[Jennifer Lopez] has the gall, or the temerity, to lament, “People told me I should write a love song/‘Girl, you sound so angry, you could use some variation,’ ” on “(What Is) Love?,” a song for which she receives no writing credit.
"Gall and temerity" work well here, in sequence, in ways that "think and cogitate" don't. Literary devices work well in small doses, but not in a constant barrage. I think that's why I hated "The Shipping News" so much: the author tried to make every word clever, poetic, and smart. Reading it was like getting my teeth scraped at the dentist, and I had to put the book down after 50 pages or so. I never finished it. Awful stuff.
But, in the end, as you always say, "to each his or her own." I don't appreciate overdone prose, but you obviously disagree.