I guess I have to agree.Kishkumen wrote: ↑Sat Oct 21, 2023 1:45 pmOne of the problems with the whole Christian story these days is that it lacks a strong afterlife narrative. There are complicated historical and theological reasons for this, so I am not dissing Christians here. But it is a marketing problem of a kind. People seem to want a "Homer's Odyssey of the soul," or something like that. And the really juicy NDEs, the ones that are almost certainly made-up nonsense, do the best they can. They are still pretty thin gruel, if you ask me. That is why, if you really want a good Christian "other=world" narrative, you can't beat Dante. Everything else is just a cheap knock-off.
For a lovely but shorter Classical/pagan precursor, see Vergil, Aeneid Book 6. In my view, nobody in the Western cultures really tops the Greco-Roman pagans on this stuff. Dante had to borrow from Vergil in order to give us a decent afterlife/otherworld narrative.
That includes agreeing with your "not dissing Christians" part, though for me the reason is not so historically informed. I just think that any detailed vision of an afterlife is inherently implausible.
If there is an afterlife, then the question is why do we need to have this life? Why can't we just go straight to there? The only kind of reason that I can think might make sense is that there's no good way to get from nothing to eternal reality in one step. To me this implies, though, that the step from this life to the next should be comparable in size to the step from non-existence to consciousness.
If there is an afterlife, it seems absurd to me for it to be anything we could comprehend, because if it were anything we could comprehend then there would be no reason not to just make it part of this life, or this life part of it. So it's a verisimilitude, I think, to have no serious details about what the afterlife is supposed to be like.
You're still right that it's a marketing weakness.
I do find a couple of fictional works inspiring, not because they say anything about afterlives but because they offer glimpses of superhuman existence that I find somewhat believable. I don't find them convincing, of course—the thing is by definition inconceivable and these are just sci fi stories. But they do give me at least a brief sense of wonder. One is Stanislaw Lem's Lectures of Golem XIV, and the other is Jack Vance's short story "Green Magic".
The protagonist of "Green Magic" is already well versed in black and white magic, and also in the more recently developed discipline of purple magic, when he stumbles on clues to the existence of an even more advanced magic. I will give no spoilers, but no-one should fear that the story will turn out to be some insipid Christian allegory. It's a sobering tragedy of a much more serious kind than that.