beastie wrote:A dossier doesn't have to be about one person, it can also be about one topic or subject.
I don't have a "dossier" on a single topic or subject, either. Unless the subject be "Fifteen to Twenty Quotations that Amuse or Interest Me."
beastie wrote:And if you haven't kept a dossier on RFM, you really shouldn't be making generalizations about the nature of the place.
So the rule is, If one does not maintain a dossier on a subject, one should not generalize about that subject.
I've never heard of this rule before. It strikes me as patently absurd.
Do you, incidentally, maintain a dossier on the question of whether one can make general statements about a subject without maintaining a dossier on that subject? Because, if you don't, you really shouldn't be making generalizations about the subject of making generalizations about a subject without maintaining a dossier on it.
beastie wrote:The reason I point out the cherry picking is that you use the quotes to represent the general nature of RFM
Actually, I've generally used them, without comment, as signatures over at the better board.
But, when I've used them in publications, I have not used them at all in the way you claim.
What you claim isn't true. But that's understandable, because you probably haven't maintained a dossier on this subject. You're going by memory, and memory, as you have pointed out, is notoriously unreliable. (Do you, incidentally, maintain a dossier on the subject of the unreliabiity of memory? If not, you should probably avoid making general statements on the subject.)
beastie wrote:I know, from my own past experience as a poster there, you have deliberately selected the worst possible quotes.
Just as I tend to choose the best looking watermelons, the best looking rocks, the best looking leaves, the most interesting books, and the best recordings.
It strikes me as exceedingly weird that you claim to find this problematic.
If I were purporting to draw representative samples in order to generate statistical studies or some such thing, you would have a valid objection. But I'm not, and you don't.
beastie wrote:You chose the most extreme statements from a few posters and pretend this gives your reader a "good sense of the place".
Only in much the same sense that choosing Mozart's
Die Zauberflöte, Beethoven's Fifth Symphony. Brahms's
Deutsches Requiem, Wagner's
Tannhäuser, Strauss's
Der Rosenkavalier, and Bach's
Die Kunst der Fuge gives a sense of classical music in the German-speaking world.
beastie wrote:from your essay on the subject
I stand by my essay on the subject. It doesn't purport to be a statistical study, and I say nothing in it that I'm not willing and able to defend.
beastie wrote:How could you possibly be qualified to make a sound and informed judgment about the whether or not RFM offers anything of intellectual merit unless you've kept careful track of the conversations there?
I've read plenty of things there, far more than enough to have a general sense of the place. There is, it seems to me, a very, very low ratio of serious intellectual content to noise, malice, and silliness. You may disagree, but that's your prerogative.
I don't need to maintain a "dossier" on the place in order to have an opinion about it, any more than I need to maintain a "dossier" on Indonesia to have a sense of
that place, or to maintain a "dossier" on Beatles songs in order to have an opinion about
them.
beastie wrote:You are just as obsessed with RFM as scratch is with you.
But weren't you just saying that I hadn't spent enough time there to even have an opinion? Please settle on a single putdown. Mutually contradictory dismissals just make you look ridiculous.
beastie wrote:At any rate, just know that every time you point out scratch's obsessive interest in you, it makes me chuckle as I remember your obsessive interest in RFM.
As that "obsessive interest" is demonstrated . . . where, exactly? Do I look in on it from time to time? Yes. Not every day, but sometimes. Often three or four times a week. Probably as much as two to three minutes each time. All-consuming, in other words.
You're priceless.