Kishkumen wrote:Lemmie wrote:I can see that he modeled it on the Bible, but to call its genre Biblical implies similarities to other elements within the genre. Wasn't there a pretty long conversation recently that concluded the mythical Jesus was less likely than a historical one? (I hope I am stating that correctly but I defer to Kishkumen on this point.) I don't believe there is one single unique (i.e. not also in the Bible)character in the Book of Mormon that could be said to be modeled on the life of a historical person, although it's been a long time since I read it.
In that sense, maybe we need a subgenre-fictionalized biblical? or maybe pseudo-biblical?
You raise important questions here, Lemmie. Obviously, I would not blithely wander into a scholarly context making this kind of claim.
That said, one can surely contest the idea of excluding the Bible from this kind of discussion of its relationship to the texts modeled upon it. If we hold the Bible apart from such a proposed relationship, thus disallowing such a discussion, what do we then do with those ancient epics that were modeled on Homer? Is the alleged artificiality of Vergil's Aeneid, particularly in the many ways it mimics the works of Homer, grounds for excluding it from the same genre as Homer?
We are too accustomed to placing the Bible in its own special box on theological grounds. Better minds than mine have challenged that assumption. Robert M. Price put together his own collection of ancient Christian texts with the very aim of challenging it. On what grounds do we continue to privilege the Bible in the way that we do? I can understand why devoted creedal Christians accept the canonical argument of their tradition, but for those of us who do not accept such boundaries of classification (the ancient fathers saw these texts as doctrinally orthodox, etc.), why not think in terms of a Biblical genre founded on the Bible itself? I would say it already exists.
Interesting point. Personally I don't privilege the Bible at all, my distinction of historicity was based only on my perception of the acceptance of it being at least partially historical-- not in the supernatural sense, but only in the sense that the locations actually did exist, and possibly the existence of some of the people, sans supernatural experiences.
But I take your point, it seems reasonable to define the biblical genre as encompassing elements all along the spectrum from fully fictional to fully historical, wherever one's belief and/or rational evaluation puts an entry in this genre along that spectrum. Given that definition, I would happily put up for consideration things like Bunyan's Pilgrim's Progress, and yes, the Book of Mormon also.