Uh huh. And I guess this is a tacit admission that all the Islamic, Jewish, Hindi, Buddhist, etc. works of art that he ever encountered were "arid and impoverished" experiences, since he doesn't believe in those religions? Like I've said before: this is somebody who is dismissive of and hostile towards others' beliefs. It's been shown to be the case over and over again.While I think that I was an agnostic in my immediate pre-teens, and possibly even an atheist, I’ve never had the experience of being an atheist as an adult. So I can’t speak with any real authority here, but it’s inconceivable to me that performing and hearing Schubert’s Mass in G — and Vivaldi’s Gloria, and Bach’s St. Matthew Passion, and Michael Praetorius’s Es ist ein Ros’ entsprungen, and so on and so forth — would not be a relatively arid and impoverished experience if I didn’t believe what I was singing about.
Still, what about the new "Undaunted" episode? Well, you can watch it for yourself, but once again I am reminded of Rev. Kishkumen's observation about the whole film being a story about how all the witnesses had a "homosocial" attraction to Joseph Smith. It's easy enough to be convinced by that assertion watching this newest entry. It opens with an image of a window. What's inside, you might ask? Why, it's Joseph himself, and he's fiddling with a stick between his legs! Meanwhile, Martin Harris paces nervously back and forth, casting shy glances in Joseph's direction and smiling sheepishly. Quite interesting!
We'll have to wait to see what the next installment will bring....
