Radex wrote:
A retort implies that you were addressing something that could meaningfully be inferred from what I said.
Totally squashing your argument may not have been meaningful for you, but it certainly was for me.
Darth J wrote:No, the information we have is the only information we have, all of which is the head-in-the-hat thing, and none of which is the translation as depicted consistently in official LDS sources.
Oh, good. I am excited to see what methods of translation there are besides a seer stone in a hat, on which the words on the plates appeared in English. I am sure you will be providing citations to the other and multiple accounts any time now.
I can't wait to see these other accounts, showing that the church images are a fair representation of the historical record!
Radex wrote:Here is an account (
PDF) of Oliver Cowdery, before he joined the church, writing that the translation method was via the "spirit of inspiration."
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Here is an account (
PDF) of the translation method being "supernatural agency."
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Here is an account (
PDF) that describes the translation method as "divine inspiration."
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Here's one (
PDF) that states that Joseph Smith didn't need to look at anything to translate the plates.
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Feel free to search around the 19th century document archive at BYU. There are many accounts which describe other methods than seer stones in hats.
Darth J wrote:That says nothing about the mechanics of what Joseph Smith looked at to translate the golden plates. This is just an assertion that the translation was inspired, not how the translation happened (which is the issue in this thread).
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Would I find this under the advertisements, the poem about "Tired of Play," or the story about the pirate? Because that's all there is on that page.
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A non-Mormon newspaper writer makes a vague reference to "divine inspiration," and you are calling that a contemporary witness to the alleged translation method of the Book of Mormon?
Are you being serious?
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There is nothing on that page about Joseph Smith.
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Will I find anything as good as two newspaper pages that don't say anything about the Book of Mormon, a statement attributed to Oliver Cowdery that says nothing about what Joseph Smith looked at when the translation was supposed to be happening, and one vague reference to "divine inspiration" by a newspaper writer who wasn't there and doesn't quote anybody who was?
Well, now, it is embarrassing that I can't grasp this hot-linking business. None of my links seemed to have worked. Not you're fault, Darth J.; you're off the hook this time. I'll post working links plus quoted relevant text.
Here is a working link to the article. And the relevant portion of it says
According to the narrative given by one of these disciples—Oliver Cowdery—at their late exhibition in Kirtland, this pretended Revelation was written on golden plates, or something resembling golden plates, of the thickness of tin—7 inches in length, 6 inches in breadth, and a pile about 6 inches deep. None among the most learned in the United States could read, and interpret the hand-writing, (save one, and he could decipher but a few lines correctly,) excepting this ignoramus, Joseph Smith, Jr. To him, they say, was given the spirit of interpretation; but he was ignorant of the art of writing, he employed this Oliver Cowdery and others to write, while he read, interpreted, and translated this mighty Revelation.
Here is a working link. And the relevant text
The New Bible.–Some year or two since the crdulous were amused with the tale that, guided by inspiration, some one had found many golden plates buried in the earth near Palmyra, Wayne county, in this state, upon which were revealed,in an unknown tongue, (an odd sort of revelation one would think) the whole duty of man. This the finder and comrade were enabled, by supernatural agency, to translate since which the book has been printed and travelling preachers have gone forth with it, to enlighten the world.
Here is the third, and the relevant text
This new Gospel they say was found in Ontario co. N.Y. and was discovered by an Angel of light, appearing in a dream to a man by the name of Smith, who, as directed, went to a certain place and dug from the earth a stone box, containing plates of gold, on which this gospel was engraved in characters unknown. The said Smith though a man so illiterate that he cannot write, was, by divine inspiration, enabled to give the true interpretation, and the man who wrote from the mouth of Smith, is one of the four mentioned above.
Here is a link to the fourth item, and relevant text.
This golden Bible consisted of metallic plates six or seven inches square, of the thickness of tin and resembling gold, the surface of which was covered with hieroglyphic characters, unintelligible to Smith, the finder, who could [218] not read English. However the angel (ghost!) that discovered the plates to him, likewise informed him that he would be inspired to translate the inscriptions without looking at the plates, while an amanuensis would record his infallible reading; all which was accordingly done.
Now, let me remind you that you said
Darth J wrote:No, the information we have is the only information we have, all of which is the head-in-the-hat thing
Which is clearly and demonstrably false, as I have shown.
Darth J wrote:I guess it's just luck of the draw that the Church has neglected to publish any depictions of Joseph Smith that make it look like the foundational events of Mormonism were a continuation of his scheme to make money by using magic to find buried treasure.
Right, it sure is silly that the church would commission paintings and artwork which correspond more to official church publications than to critical documents (what
were they thinking?)
Joseph Smith History wrote:Also, that there were two stones in silver bows—and these stones, fastened to a breastplate, constituted what is called the Urim and Thummim—deposited with the plates; and the possession and use of these stones were what constituted “seers” in ancient or former times; and that God had prepared them for the purpose of translating the book.