I suppose the Rembrandt fits his emotions about his belief more than the Picasso. For me I might emotionally tie the Picasso closer even without considering the clarity of the Picasso. The Rembrandt is a bit mysterious. It appears there is a smoky cloud with sparks filling the right sky, red light all along that side of the picture.Morley wrote: ↑Tue Jan 16, 2024 3:01 pmMy favorite Steve Densley piece is the one where he uses to his mad skills as an art critic to dis both Picasso and the Church's critics.
says:
Authors that are hostile to the Church regularly portray Joseph Smith as a fraud, with a variety of descriptions. However, when these depictions are strung together to form a historical narrative, it is fraught with internal inconsistencies as well as contradictions to the historical record.
As artwork, it creates a Picasso painting that is disjointed and fragmented. In contrast, the historical record without the antagonistic overlay portrays a more even unfolding of the organization of the Church and the expansion of Joseph Smith’s teachings, more like a Rembrandt masterpiece.
https://debunking-cesletter.com/83-remb ... s-picasso/
So, the critics and Picasso are inconsistent, disjointed and fragmented, compared to the bucolic pastoralism that is LDS Church history and Rembrandt? He can't really believe that.
I wish Densley had looked at Guernica a little closer. In this case, maybe even Wikipedia would have been his friend.
I hope he's a better attorney than he is either historian or art critic.
I was wondering what sort of inconsistencies he saw in critics, from Morleys link:
Not being a believer I find that the actual presence of KJ Bible extensively quoted to be clear evidence that the accounts avoiding the method are incomplete, perhaps not trustworthy. I am puzzled that our author does not notice that.For example, according to The CES Letter, Joseph Smith was supposed to have incorporated the following in producing the Book of Mormon:
Borrowing verbatim from the King James Bible although no accounts describe him using any papers or books in the process.
Borrowing names from maps published in foreign countries that he doubtless never saw.
Borrowing from a book, View of the Hebrews although more differences than similarities are found.
Been influenced by Captain Kidd novels that he undoubtedly never read.
Been influenced by The Late War, although it is unlikely he ever saw a copy.
But that fits the strategy of misdirection in the observation about View of the Hebrews and the other influences mentioned. No aware critic says Joseph copied View of the Hebrews, just that it appears to be possible inspiration. It is part of a culture that Joseph was part of that shared certain beliefs and speculations and story interests.