Dr. Shades wrote:GoodK wrote:She sits in with a support group for children with gay parents and bellicosely questions a young girl who's parents are lesbians.
??? That made my ears perk up. Three questions:
- How old was the young girl?
- What questions did Pioneer Patty ask her?
- What were the girl's answers?
Here is part of it:
http://www.hulu.com/watch/21014/30-days ... become-gayEAllusion wrote: They both use stunt journalism and make leftist documentaries. They both engage in propaganda. They both mix serious tone with playful comedy.
I don't agree with the first two statements and I don't see anything wrong with the third. I think that is why they are so successful.
What Spurlock does is contrive the situation so it plays out exactly how his predetermined arguments say it will.
I disagree.
For Spurlock, it's like watching the documentary equivalent of a talking points list.
I guess you're unfamiliar with how a documentary is made. It is basically written in a talking point list. But I wish I knew specifically what film you were talking about, or what episode, because I can't see why you'd say what you are saying about him. I've seen most if not all his stuff and I don't see anything but good filmmaking.
He's not capable of arriving at conclusions. He telegraphs them in advance.
Again, I don't know why you would say that.
The Family Research Institute is indeed one of the more vile, unhinged anti-gay outfits of the religious right. It's not a coincidence they were picked to represent "the other side." That's what I'm referring to as transparent.
What organization would have been a better representative of the anti-gay adoption movement. I'm beginning to think you have some other reason for not liking Spurlock. Perhaps because a Mormon was shown to be a bigot on national television?
Simply from the notes here you can see his style all over this episode.
Oh I see. It is because she was a Mormon and was shown to be a bigot on national television. Got it.
The difference is in Morris's nuance and fairness. He's obviously more artistically and technically gifted as well, but there's also a difference between how he constructs his arguments in comparison to a Moore or Spurlock.
I definitely disagree. Morris is virtually unheard of in the mainstream. I only know of him from a freshman film class. Moore is a masterful director, and Spurlock is artistically gifted as well as an amazing director. But I don't think you've seen enough of Spurlock or Moore to make a judgement on their professional abilities. I think you are relying on secondary sources, such as Dr. Shades and my notes. Needless to say, that doesn't really give you the ability to critique their work.