Nevo wrote:Remarkable, extraordinary, improbable works of genius exist. They are not impossible. They do not belong only to the realm of the gods. But normally we would not expect "obvious impostures" and "clumsy frauds" to rise to that level—though I suppose it's possible that some do.
I think Equality is really on to something here. I highly recommend the documentary available on Netflix called "Who the *&^k is Jackson Pollock?"
Also, for a strange set of reasons, I've been reading a bit about controversies regarding Mozart's music, fraud by his family after his death and imposters. It hadn't occurred to me until I read Equality's post that there is a real connection to apologetics. The question that invariably gets raised is how to evaluate the real thing, the genius, from the imposters? How much does popularity and expert consensus weigh into evaluating the greatness of something, and how are our views reshaped when it becomes evident that certain false suggestions played into the consensus view?