
I’m literally not making that up. 30 pages just to say, “I believe because it’s too depressing not to believe.”
Added upon my ass.
- Doc
LB wrote: About a month ago I subscribed to Paul Kingsnorth's substack. He is a great soul and a great writer. N.B. Kingsnorth, not Kingsworth, as "worthy" as his writing may be.
Very well said. DCP is presently getting his ass kicked by Dr. Austin Addison (who will be banned shortly, I'm sure), but this is so right. I don't know if you remember or not, Dr. Stak, but DCP once admitted that he relied on a Penguin Guide to Classical Music as a means of figuring out which classical CDs were worth listening to, which is so lame that it's hard to fathom.Dr. Stak wrote:I think Daniel uses it because he is exactly at the skill level this book is oriented to. He needs someone like Groothius to walk him slowly through the basics of reasoning and to spell out simple implications, he doesn’t have the capability to pull up the relevant Stanford Encyclopedia of Philosophy (SEP) article and write a meaningful blogpost off of that. As I’ve mentioned before, the SEP is a top of the line reference work complete with exhaustive bibliographies and entries written by active philosophers. It is absolutely free and even undergraduate majors are expected to consult it when needed. I’ve come to the conclusion recently that the SEP is a resource beyond Daniel’s skillset to ever consistently utilize.
Daniel doesn’t want to dwell on a Gospel that is being discussed in “a graduate seminar in analytic philosophy” because that is a Gospel he doesn’t understand and it is a Gospel he cannot defend. Really it is just an expression of ye olde tyme Mopologetics: “If I can’t defend it, then it isn’t Mormonism ''.
In a rational world' Mormon theology would be studied in all serious theological colleges and religious studies and philosophical departments, as an astonishingly original and fertile explanatory system or model - perhaps the single most original and radical metaphysical reformulation since... well, the Ancient Greeks, I suppose.
A snifter of orange Fanta, a pastrami Crown burger, and some Vivaldi to wash it all down.Doctor Scratch wrote: ↑Mon Jun 28, 2021 9:04 pmVery well said. DCP is presently getting his ass kicked by Dr. Austin Addison (who will be banned shortly, I'm sure), but this is so right. I don't know if you remember or not, Dr. Stak, but DCP once admitted that he relied on a Penguin Guide to Classical Music as a means of figuring out which classical CDs were worth listening to, which is so lame that it's hard to fathom.Dr. Stak wrote:I think Daniel uses it because he is exactly at the skill level this book is oriented to. He needs someone like Groothius to walk him slowly through the basics of reasoning and to spell out simple implications, he doesn’t have the capability to pull up the relevant Stanford Encyclopedia of Philosophy (SEP) article and write a meaningful blogpost off of that. As I’ve mentioned before, the SEP is a top of the line reference work complete with exhaustive bibliographies and entries written by active philosophers. It is absolutely free and even undergraduate majors are expected to consult it when needed. I’ve come to the conclusion recently that the SEP is a resource beyond Daniel’s skillset to ever consistently utilize.
Daniel doesn’t want to dwell on a Gospel that is being discussed in “a graduate seminar in analytic philosophy” because that is a Gospel he doesn’t understand and it is a Gospel he cannot defend. Really it is just an expression of ye olde tyme Mopologetics: “If I can’t defend it, then it isn’t Mormonism ''.
But I noticed that he's been in his metier lately, discussing the relative merits of a Burger King Whopper versus an animal-style burger from In-N-Out. Fast food aesthetics seem to fall right in his intellectual sweet spot.
Lol Daniel gives off the same vibes Patrick Bateman does in the Bret Easton Ellis novel. Not the psychopathic killing, but the parts where Patrick merely rehearses outloud the reviews of music, food, clothes, etc, etc that he reads somewhere to people in conversation as if he was expressing his own thoughts and feelings. It becomes comedic gold when Patrick is waxing philosophically about Whitney Houston tracks to two high-as-a-kite sex workers (Seen here in Christian Bale’s performance).Doctor Scratch wrote: ↑Mon Jun 28, 2021 9:04 pmVery well said. DCP is presently getting his ass kicked by Dr. Austin Addison (who will be banned shortly, I'm sure), but this is so right. I don't know if you remember or not, Dr. Stak, but DCP once admitted that he relied on a Penguin Guide to Classical Music as a means of figuring out which classical CDs were worth listening to, which is so lame that it's hard to fathom.
But I noticed that he's been in his metier lately, discussing the relative merits of a Burger King Whopper versus an animal-style burger from In-N-Out. Fast food aesthetics seem to fall right in his intellectual sweet spot.
And all I see is Daniel when he was being interviewed by Mormon Stories:Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, 'Duke'. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on 'Duke' where Phil Collins' presence became more apparent. I think 'Invisible Touch' was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums.
I must have started towards the bottom of the rabbit hole, because the first post I read was about how Rivendell could be defended from an attack by the Dark Lord Sauron and the Witchking of Angmar. I won't spoil the startling conclusion.Gadianton wrote: ↑Mon Jun 28, 2021 10:00 pmHere it is Stak; it's somebody else, Dr. Scratch.
https://charltonteaching.blogspot.com/
Try hard not to laugh:
In a rational world' Mormon theology would be studied in all serious theological colleges and religious studies and philosophical departments, as an astonishingly original and fertile explanatory system or model - perhaps the single most original and radical metaphysical reformulation since... well, the Ancient Greeks, I suppose.![]()
Note that he warns everyone upfront that he's got an itchy trigger finger for banning in the comment section, if you decide to post there.
I don’t think Morms have the high ground on lifestyle, culture, or even what to do on Sundays.DrStakhanovite wrote: ↑Mon Jun 28, 2021 11:10 pmLol Daniel gives off the same vibes Patrick Bateman does in the Bret Easton Ellis novel. Not the psychopathic killing, but the parts where Patrick merely rehearses outloud the reviews of music, food, clothes, etc, etc that he reads somewhere to people in conversation as if he was expressing his own thoughts and feelings. It becomes comedic gold when Patrick is waxing philosophically about Whitney Houston tracks to two high-as-a-kite sex workers (Seen here in Christian Bale’s performance).Doctor Scratch wrote: ↑Mon Jun 28, 2021 9:04 pmVery well said. DCP is presently getting his ass kicked by Dr. Austin Addison (who will be banned shortly, I'm sure), but this is so right. I don't know if you remember or not, Dr. Stak, but DCP once admitted that he relied on a Penguin Guide to Classical Music as a means of figuring out which classical CDs were worth listening to, which is so lame that it's hard to fathom.
But I noticed that he's been in his metier lately, discussing the relative merits of a Burger King Whopper versus an animal-style burger from In-N-Out. Fast food aesthetics seem to fall right in his intellectual sweet spot.
Every time Daniel opens up about Shakespeare or Beethoven, all I can hear in my head is the following in Daniel’s voice:
And all I see is Daniel when he was being interviewed by Mormon Stories:Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, 'Duke'. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on 'Duke' where Phil Collins' presence became more apparent. I think 'Invisible Touch' was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums.
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