One part of this situation is the mechanics implied by the correction in verse 14. If you take the text at face value, the clarification only becomes necessary because the phrase “the end of this book” could be misunderstood by the reader, and suggests the author is aware at the moment of engraving of how the larger book will eventually conclude.2 Helaman 13 And behold, in the end of this book ye shall see that this Gadianton did prove the overthrow, yea, almost the entire destruction of the people of Nephi.
14 Behold I do not mean the end of the book of Helaman, but I mean the end of the book of Nephi, from which I have taken all the account which I have written.
Within the redactor’s own explanation, this creates an awkward implication. Either he is reading ahead in the source record he’s abridging in order to understand it’s ending first, and then returning to insert a correction, or the correction is being added at a later time, once the structure of the book is already known. Maybe there are other possible explanations, but those are the two I’ve landed on.
The first possibility is feasible, but it’s mechanically clumsy, while the second seems to fit more naturally with a process where material is being organized as the text takes shape, which seems less like a smooth abridgment of a record and more like continuity being managed in real time.
Any thoughts on the implications here? Does the need for correction provide insight into the mechanics of composition? Is it enough to notice the awkwardness and dismiss it, or could insight be gained into the origins of the book?